Showing posts with label 3d printing. Show all posts
Showing posts with label 3d printing. Show all posts

Tuesday, 10 October 2017

A Pigeon At Work

As colour 3D printing specialists we have always taken an interest in data creation. We began to try out low-cost, hand held 3D scanners to see what kind of results we could achieve. We were really impressed by the results produced using photogrammetry. This led to the pigeon model that we created in 2016.




Software model created using Agisoft PhotoScan
Prepared for printing in Materialise Magics
Printed on 3D Systems Project 660
Film Credits:
Film production: Lucy Lee at Instinct Media - www.instinctmedia.co.uk
Sound by Louise Brown at Sync Sounds


We found that photogrammetry needs to be done in a disciplined way. With good planning and good photographs we were able to get a usable result. It really helps having the colour information to make sense of the lumps and bumps in the geometry. 


Below are some of images of models created from the original file. 


3D printed pigeons - cast photo



3D printed pigeons - family portrait



3D printed pigeons - crowd scene




To find out more about colour 3D printing please visit www.lee3d.co.uk


A Democratic Monument

In the summer of 2017 we were approached by Adam Nathaniel Furman to produce a full colour 3D printed model for the New Typologies Exhibition at the Architecture Fringe. We captured the making of the model on film to illustrate some of the manual work associated with colour 3D printing.





Designed in Rhino Serengeti (v6 WIP)
Prepared for printing in Materialise Magics
Printed on 3D Systems Project 660


Film Credits:
Film production: Lucy Lee at Instinct Media - www.instinctfilms.co.uk
Sound by Louise Brown at Sync Sounds


"Democratic Monument is a proposal for a new kind of Town Hall for British cities. It re-groups various civic functions into one visually symbolic composition of architectural forms that reconfigure and express varying references, ornament and allusions, depending on the metropolitan area it is situated in and embodies. It is an expression of urban pride, chromatic joy, and architectural complexity." - Adam Nathaniel Furman




To find out more about colour 3D printing please visit www.lee3d.co.uk




Wednesday, 4 October 2017

Optimising size and cost for 3D printing

The purpose of this post is to illustrate the effect of size and scale on cost in 3D printed architectural models. 

After a brief discussion of the relationship between size and cost in 3D printing we will look two worked examples using a context model and a facade study model as examples. 

This post is aimed at architectural models where choice scale is always a factor. 


Relationship between size and cost in 3D printing


Cost of 3D printing is never directly proportional to size. 

Doubling the size of a model can mean up to 8 times more material is used. Some printers may take up to 8 times longer to print all of that extra material. 
(See note on the maths of hollowing models at the bottom of the page.)

It is important to understand that different 3D printing techniques are priced in different ways but ultimately no matter how a part is priced doubling the size disproportionately increases material used and time to produce and therefore cost to produce.

Powder based systems such as the ones we use at Lee 3D are self supporting and thus hollowing parts greatly mitigates the effect of increasing size. Some other 3D printing methods needing supports can be hollowed and the additional supports are trivial while other printers need solid supports and hollowing will not reduce material used. 


The Context Model


In this case we have printed the same model at 3 different scales. The detail in each model remains visible but of course the visual impact of the larger model is lost with the smaller models.

The effect of hollowing on price depends on the shape of the model. Context models like the ones shown below are ideal for hollowing. In this case, doubling the size by changing scale from 1:1000 to 1:500, reduces printed material from a factor of 8 when printed solid to a factor of 4 when printed hollow. 

Choosing intermediate scales can often optimise the balance between size and cost. 


To illustrate the effect size or scale has on cost with some typical numbers. The hollowed models shown (not including the inserts) in the image above might cost something like:

1:1000 - £200
1:750 - £400
1:500 - £800

Printing these models solid would not be viable - unless you just like to have a good weighty model and deep pockets.

Note that these prices are intended to show proportional costs of printing at different scales are not a guide to actual pricing.


The Facade Study Model


In this example the effect of hollowing is less pronounced than with the context model shown above. Doubling the size by changing scales from 1:100 to 1:50, reduces printed material from a factor of 8 when printed solid to a factor of  6 when printed hollow. 



To illustrate the effect size or scale has on cost with some typical numbers. The models shown in the image above might cost something like:

1:100 - £100
1:75 - £200
1:50 - £600

Note that these prices are intended to show proportional costs of printing at different scales are not a guide to actual pricing.


Optimising size and cost


When looking to get a model 3D printed it helps to be flexible and it pays to get a guide price early on in a project.

Many of the models we make are context models with inserted existing and proposed options, like the model shown in the image below. 



Typical 3D printed architectural context model with inserts

Clearly if you need to print a series of options as the design develops it is important to consider the ongoing costs of printing additional options. 

There is often an intermediate scale that offers a good balance of size to price that makes use of 3D printed design models viable.
 




Note on the maths of hollowing models

The cost of printing is based on the amount of material used. So as the size of the model increases cost is not directly proportional to the size. Without hollowing the cost of increasing size is inversely proportional.

To illustrate this:
A cube measuring 10 x 10 x 10cm has a volume of 1000 cubic cm.
A cube measuring 20 x 20 x 20cm has a volume of 8000 cubic cm.

Translating this to architectural models we can see that doubling the scale can mean 8x the cost for unhollowed models. 

When we hollow parts this reduces the effect of scaling on cost by about half. In the simplified illustration below we can see that the effect of hollowing significantly reduces the cost.

Hollowing the cubes with a 3mm wall thickness and leaving the underside open to remove unused material:
A hollow cube measuring 10 x 10 x 10cm has a volume of 143 cubic cm.
A hollow cube measuring 20 x 20 x 20cm has a volume of 586 cubic cm.

In this case this represents a fourfold increase in cost for doubling the size of the part.



Please note that all 3D print bureaus have different charging rates and methods.  However the underlying principle that changing the size of parts has a substantial influence on cost is unavoidable.



To find out more about 3D printing for architecture and colour 3D printing please visit www.lee3d.co.uk 





Sunday, 21 July 2013

In what way is 3D printing cost effective for architects?

Recently while making a CPD presentation to a medium sized architectural practice in London, I posted a slide listing the strengths of the 3D print technology we use at Lee 3D. The strengths named were speed, aesthetic quality, colour and cost effectiveness. One of the architects asked what I meant by "cost effective" and in this blog post I will try to answer that question more fully.

Of course the ZPrinter technology we use is comparatively less costly to run than many competitor technologies but this is not the whole story, it begs the question: 


Why 3D print a model in the first place?

To get to the bottom of this we first need to ask what 3D printing is useful for in architecture. 3D printers may one day be used to print buildings directly, as being researched at Loughborough University and D-Shape, but at the current time 3D printing is primarily used as a communication tool in the design process. Typically this involves 3D printing models for communication purposes.


Single colour concept model showing design geometry

3D printing allows a direct output from a 3D software model into physical form. So the first argument for cost effectiveness of 3D printing might be that 3D printing integrates with the computerised design process that most architects use today. 3D printing allows the reuse of design data and with the increased use of 3D design data with the inexorable move to BIM, new opportunities for reusing this data are constantly unfolding.

But still we need to explore the reason why bother to make the 3D print in the first place. What is the pay off?

As a communication tool a physical model has the ability to express geometry to an audience in a way that is simply not possible on paper or screen. When a model is placed on a table in a meeting the facts of the design geometry are immediately clear for all to see. 


Single colour concept model showing design geometry detail

We all know that architects are trained to read architectural drawings and images, however it is also a fact that not all clients and stakeholders are equally able to do this. A physical model democratises the communication of design geometry.

In certain practices and for certain projects, 3D printing is used extensively for internal review of design geometry. A physical model as part of a presentation saves time in understanding form.  If a form is complex it may be the only way to really understand it. 

Each media and technique has the ability to communicate different kinds of information. A good visualisation superimposed on a photograph of the site can give an impression of what a design will feel like in a way that a 3D print probably cannot. 3D printing is great at clearly expressing the actual physical geometry of the design, accurately, to scale and direct from the design workflow.

3D printing serves a purpose in communicating designs, especially at early stage when a traditionally made model may convey too much information and cost too much. 

And here's the crunch, with 3D printing most effective in the early stages of designing, it can be used to influence decisions. A 3D print can help win work. 3D prints at a very early stage communicate ideas to a client in a clear and powerful way.

Conclusion
So in what way is 3D printing cost effective for architects? 

     3D printing:

  1. Allows reuse of 3D software models.
  2. Clearly communicates design geometry to clients and other stakeholders.
  3. Saves time in understanding form.
  4. Helps win work.


To find out more about 3D printing for building design visit: www.lee3d.co.uk











Sunday, 23 June 2013

Lee 3D at the AA Projects Review 2013

Use of 3D printing has changed so much over the past 6 or 7 years at the Architectural Association. Back in 2006 there were just a handful of students presenting 3D prints at the AA and few if any at other colleges. These pioneer models were 3D printed at Cadventure where I was then forming the fledgling 3D print bureau. In the following years 3D printing snowballed at the AA and each year since has seen a seasonal rush of architectural students phoning around desperately looking for someone to print their models. 

In the following years,under the guidance of Jereon van Ameijde, the AA bought first one then two ZPrinters. The presence of in-house 3D printers at the AA and many other architectural colleges, provided a supply of 3D print skilled students to the profession and this has been one of the major driving forces that has enabled 3D printing to flourish, especially in London architectural practices.

Fast forward to 2013 and Lee 3D launched just in time to 3D print some great models for this years AA summer show. Nowadays 3D printing is taken for granted and you are much more likely to find 3D prints used as just another tool with parts integrated with other media. Here are a couple of images of some models that we snapped on the opening night.



Models 3D printed by Yiming Huang and Jon Wong at Lee 3D 2013.

AA Projects review will be open to the public until 9th July http://www.aaschool.ac.uk/PUBLIC/WHATSON/exhibitions.php?item=214


Colour 3D Print Pioneers at the AA
Stand out students in 2007 featuring Max von Werz who was one of the very first AA students to use colour 3D printing. http://www.bdonline.co.uk/culture/radical-approach-to-cities-rethinks-the-urban-myths/3091651.article

Stand out students in 2008 featuring Adam Furman who was the most prolific and radical of AA AA students in the exploration of colour 3D printing. http://www.bdonline.co.uk/culture/best-in-show/3118085.article


Visit the Lee 3D website for more information on colour 3D printing.