Tuesday, 21 January 2014

3D scanned and printed figurines

The last year has seen a proliferation of companies offering to scan and 3D print figures. As a 3D print service bureau, Lee 3D has been asked to print figures for a number of businesses selling these services. In the same period we have had a large number of enquiries from entrepreneurs looking into this as a business opportunity. With the availability of low cost scanning systems it would seem that interest in this business opportunity is only going to increase. 

From our experience it is clear that there is a wide range of prices being quoted to end customers for figurines. Famously Asda offered a promotional 3D scanned product from £40 and certainly at the other end of the range costs are in the thousands. This blog attempts to give an indication as to what might cause such a wide variety of prices .

Creating 3D scanned and printed figures is made up of three distinct steps. These are scanning the figure, preparing the data and 3D printing the figurine. The middle step is the part that probably makes the biggest difference to the overall cost and also to the final quality of the part. 

3D Scanning Figures
Currently there are three main methods used to scan a figure, though new scanners and techniques are appearing at regular intervals. One process uses an array of fifty or more SLR cameras arranged around the subject. All cameras take a picture simultaneously and the 3D form is created from the digital images using a process known as photogrammetry. The second method of capture is using a hand held laser scanner that is moved in across and around the subject to build up a cloud of points in space that represent the figure. Thirdly a scan can be made using the structured light capture process. This requires perhaps 20 or more separate captures of the subject to build up a 360 degree physical model.

For the person being scanned there is a difference in the experience between these processes. For the photogrammetry route the subject stands in the center of the a ring of cameras and the image is taken instantaneously. The hand held laser and structured light methods requires more time and may require the subject to hold their pose for quite some time.

3D scanning is probably a bit like photography 100 years ago. In many old photographs people look very stiff, partly because they had to stand still for the required exposure time. Similarly the relationship between photographer and 3D scan operator is essential to get the subject into a relaxed pose that will also work for 3D printing. It has become typical for subjects to be asked to hold hands against their bodies for two good reasons. Hands are notoriously difficult to scan and exposed fingers easily break off both in the 3D printing process and afterwards. So there is an art to getting a person into a comfortable pose - with their hands protected.

3D Scan Data Clean Up
To get any level of quality in the resulting 3D print, time needs to be spent on data clean up. A skilled artist may be able to produce something passable in an hour or so. To get good results will take half to a full day. To produce exceptional 3D scan work, the data will be captured in sections, stitched together, details may be physically remodeled, colour touched up and corrected. Exceptional work takes time and of course, costs more money.


3D Scan by Sample & Hold
3D Print by Lee 3D
When looking at a 3D printed figure, you can usually tell straightaway if the quality is good. A good 3D scanned and printed figure has vitality in the same way that a good photographer captures some of the essence of the living subject. This is partly to do with the original scan but it is also down to the detailing by a 3D artist in data cleanup. 

At the other end of the scale a poorly scanned and/or 3D printed figure may look deformed and strangely fossilised and may also show the results of poor lighting and colouring. Poor quality may be a result from the work of any stage in the process not being completed to a high standard. 

Colour 3D Printing
Currently the best 3D printers for printing scanned figures are the ZPrinter 650 or Project 660 (pretty much the same thing). This machine prints CMYK binders on to a white plaster based powder. Printed parts need time spent on post processing to increase quality. Poor quality colour 3D prints look powdery and pale. Again producing a good result takes a little time but nothing compared to the time required in the data clean up phase of the process. 

A 3D printer ain't no vending machine, it needs a good operator to get good results. To produce a good colour 3D print the printer needs to be set up properly, parts need to be orientated correctly in the build and parts need to be finished manually. It is very easy to make a pig's ear of a colour 3D print of a figure; a high standard often requires more time and cost and always requires more care and attention.

Conclusion
High quality 3D scanned and 3D printed figurines require bespoke services and you can expect to pay a lot more for a great figurine than you would from a run of the mill low cost service. In future I expect that software used for optimising scanned figures will be improved allowing lower cost figurines to be produced. In the meantime the process heavily relies on the skill of the technicians. 

On a more general note, questions have been asked about whether this is a service that will gain popular interest. Not everyone has a body that looks great as a warts and all 3D scan. Perhaps this will remain a specialist service for those brave enough to see themselves so accurately portrayed!

Details of Sample and Hold image shown above
Creative Director : John Jolly
Client : The British Engineerium ( http://britishengineerium.org )
Subject : Gresham Blake ( http://www.greshamblake.com )
Scanned by: http://www.sampleandhold.co.uk/ 



For more information visit www.lee3d.co.uk


Friday, 3 January 2014

Lee 3D - 2013

The first months of Lee 3D have been pretty hectic. It has been immensely satisfying, we have had some great feedback and have completed well over a hundred jobs. 


Here are some of the key events that marked the year.

May 2013

  • Move into the Crimscott Street Studio
  • Website launched
  • The first ZPrinter 650 arrives


June 2013 

  • Busy printing student models for AA, UCL, South Bank and East London Universities


July 2013

  • Launched the first version of "Guide To Modelling for 3D Print in AEC"
  • Printing work for the Design Museum, Designer in Residence Programme

August 2013

  • Experimenting with colour 
  • More kit arrives

September 2013

  • Christabelle joins Lee 3D 
  • Design Museum, Designers in Residence launch
  • Visit to TCT Show at the NEC

October 2013

  • Major update to  "Guide To Modelling for 3D Print in AEC"
  • "Hornitation" on show at the Sea Foundation in the "Eindhoven triangle"


November 2013

  • Expand into new machine workshop
  • Second ZPrinter 650 arrives


December 2013

  • A busy month with some interesting work ahead in 2014
  • Chain necklace - R&D in consumer colour 3D printing











Tuesday, 29 October 2013

Innovation in 3D print

Finally here are some really interesting innovative 3D printing projects. Both are linked by the use of employing micro processors in non conventional ways for 3D printing. The Peachy printer uses a sound card to drive a mirror and the other is some schoolboys from South Africa who are have written an app to print from a mobile phone to an extruding 3D printer that they built.

What is so great about the Peachy using a sound card is that the sound card is a highly developed piece of kit that sends small electrical impulses to an electromagnet that drives the speaker mechanism. It is such a neat fit for a device to power a tiny mirror. The elegance of this design solution elevates it to that exalted and over-baked description - awesome.

The Peachy also has a fantastic solution to the moving the build platform using a drip fed saline solution to support the body of resin. This means that the layer thickness can  be very tightly controlled.

This is a 3D printer with no motors! No vibration, no noise, energy efficient, does not require custom made electronics. This is revolutionary.  Well done Rylan Grayston and team.


In the second project, two 15 year olds, Pieter Scholtz and Gerhard de Clercq, from South Africa, created an app to slice and send data direct to their 3D printer from their mobile phone. Now I am not sure how unique this is. I know that some vendors have been talking about accessing 3D printers from mobiles and via html but you have to ask why would anyone ever want to do this? Well these guys have realised that in Africa mobile phones are widespread whereas computers are not. A good reason to build an app to 3D print from a phone. True most mobile phones in Africa are probably not smart phones but it would seem more likely that mobile device usage will develop where PC usage may not.

There has been some discussion of using 3D printers to make items in remote locations and this helps to progress this cause a little further on its way. Additionally with apps like Autodesk's 123D Catch a mobile could potentially capture scan data and then (possibly with some cloud data clean up) print it -  to allow on the spot reverse engineering.






Friday, 25 October 2013

BIM - 3D Printing - Hurdles to overcome

BIM has the one key ingredient needed for 3D printing and that is, 3D.  However, to get to a useful 3D print there are three main hurdles to overcome. 

1. Scaling

Because BIM is not a free-for-all modeler, objects that may be too thin to print at model scale may not easily be edited.  This usually leads to some re-modelling work outside of the BIM software to get to a 3D print ready state.

The image below shows the same data printed at 4 different scales.  Each one needed some editing to work at its particular scale. 

Model House printed at 1:100, 1:200, 1:500 and 1:1000 scales
Despite several attempts by software geniuses, it is still not possible to get a good scaled model from an automated process.  At Lee 3D we manually edit the file spending a good deal of effort to keep the detail clear and the design intent unaltered.  On a large dataset this can be time consuming.


2. Excess Data

A BIM model can become large and unwieldy when exported to a 3D printable format.  3D print data loses all of the object oriented efficiency of a BIM or CAD file.  For this reason the hinges on each of the doors and the text inscribed on each of the hinges can make a file very large indeed.

Where it is possible to export key geometry a good deal of time and megabytes can be saved.




3. Unresolved Geometry

Revit has an aversion to unresoved meeting points where structural parts should join.  Where details have not been fully designed, Revit carefully leaves all parts poised in readiness.  The consequence of this is that many structures contain large numbers of floating joists, beams and columns.  The hurdle is a double one as not only do all parts need to be extended a few mm, but it is very important that none are missed to avoid the model falling to pieces.

The image below illustrates the kind of thing that frequently occurs in Revit.  The beams would not quite reach the columns as this has junction has not been resolved.


In conclusion while BIM is great for 3D printing, there can be some hurdles to overcome in getting a good result.  Excess and unresolved data would seem to be the easiest hurdles to overcome.  How scaling can be addressed so that data can be reliably printed is still unclear.


For more information on 3D printing for AEC visit www.lee3d.co.uk





Thursday, 24 October 2013

BIM - 3D Printing - Introducing the Infomodel

BIM needs 3D printing in the same way that spreadsheets need pie charts.

BIM is a technocratic virtual construction that tends to create distance between its technical participants and the man-in-the-street world outside.  BIM needs interfaces between the information model and the stakeholder.  To do this BIM needs to break out of the virtual computer model into physical reality.  I am sure this is going to be challenging for technocrats that live and work in virtual space but it needs to happen if their work is to be appreciated, understood and made use of to its fullest extent.

3D printing offers BIM the ability to democratise design information.  Physical models allow untrained individuals to visualise and relate information spatially.  It offers a direct link from BIM model to physical artifact. 

In particular, colour 3D printing allows the overlaying of design information on to design geometry. 

New kinds of communication model need to be envisaged for communicating BIM models through the media of colour 3D printing.  Image mapping, keyed colour and shading, labeling and symbols can all be applied to present 3D printed infomodels.


Introducing the Infomodel


We have printed some great models in our time but we have not seen enough use of labeling and annotating of models.  To illustrate this, we made this infomodel to show the kind of results that could be achieved.







To find out more about colour 3D printing, visit: www.lee3d.co.uk



Colour 3D Printing for Marketing

Unique, customised, full colour 3D prints from Lee 3D add impact to events and presentations. 

Unique Gifts
3D printing allows you to make short runs of unique objects to promote your brand. 


3D Prints of Aldwych


Customised Promotional Items
We can 3D print customised objects for individuals creating a positive brand experience for your clients.





Colour
Full colour 3D printing is a must to stand out from the crowd.










We currently have a large body of colour 3D print work on show at the Design Museum (until) Jan 12 2014) where we have sponsored Adam Nathaniel Furman, Designer in Residence. 





For more information on how you can use this process to produce unique, customised colour sales and marketing tools call Lee 3D on 07563 243 891 
Visit www.lee3d.co.uk to find out about colour 3D printing




Thursday, 17 October 2013

Yantrament

The first series of colour 3D prints designed by Adam Nathaniel Furman for the Design Museum. All parts printed and finished by Lee 3D.

Yantrament 01
Hornitation
Shown in a custom made acrylic case.




Yantrament 02
Popter




Yantrament 03
Big Boss




Yantrament 04
Karmameleon




Yantrament 05
Efflorescent




Yantrament 06
Yellorescent





For enquires about purchasing these pieces please contact the artist at adamnathanielfurman@gmail.com. To see the accompanying blog created alongside the parts visit - http://identity-parade.blogspot.co.uk/


For more information about colour 3D printing visit www.lee3d.co.uk